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A Year With Rilke: March

Writer: sharonkingston
sharonkingston
Jul 10, 2021
1 min read

The Words: Allow your judgments their own undisturbed development, which, like any unfolding, must come from within and can by nothing be forced or hastened. Everything is gestation and then birth...most of us know only a single corner of that room, a narrow strip on which we keep walking back and forth. That gives a kind of security. But isn’t insecurity with all its dangers so much more human? We are not prisoners of that room. (A Year With Rilke, translated by Joanna Macy and Anita Barrows, March selections)


The Color: Puce is a color that blurs the lines between brown and maroon with only a hint of pinkish-gray. History says that Louis XVI strode into a room where his wife was hanging out, wearing her brand new silk dress, and exclaimed, “That is puce!” He had observed, and rightfully so, that her dress was the same color as a flea. This rather crudely named insect-inspired color with a conceptual link between fleas and desire is now known more for its sexy/gross associations than its actual use. (Cultural histories of unusual hues, The Awl, Katy Kelleher) A Year With Rilke: March to allow one’s feelings an unhastened unfolding 40”x72” oil on canvas




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studio/gallery

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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