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A Breath in the Void

  • Writer: sharonkingston
    sharonkingston
  • Mar 21, 2010
  • 1 min read

I’m one of many artists who would give their soul to be Rothko and own the right to the amorphous color field painting style. What I wouldn’t do to spend my days working on huge canvases and laying down layer after layer of transparent color without a care to composition, image, line, or any of those other elements. Rightly so, I might take up chain smoking to give me something to do as I sit and sit and sit and contemplate the next fabulous color. This painting, and others in my abstract landscape series, speak to my adoration for Rothko and the simple beauty of a rectangle of breathing color. Yielding a bit more landscape reference and a hint of metallic paint, A Breath in the Void merges Rothko and Rilke, ahhh. I can’t wait to do another! The poem reads: A god can do it. But tell me how a person can flow like that through the slender lyre. Our mind is split. At the crossroads in our heart stands no temple for Apollo. Song as you teach us, is not a grasping, not a seeking for some final consummation. To sing is to be. Easy for a god. But when do we simply be? When do we become one with earth and stars? It is not achieved, young friend, by being in love, however vibrant that makes your voice. Learn to forget you sang like that. It passes. Truly to sing takes another kind of breath. A breath in the void. A shudder in God. A wind. Sonnets to Orpheus I, 3 A Breath in the Void, 36×36 in, oil on canvas, 2010 Sharon Kingston

 
 
 

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studio/gallery

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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