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A MEDITATION ON TURQUOISE

  • Writer: sharonkingston
    sharonkingston
  • Oct 26, 2014
  • 1 min read

Today I read this passage from nature writer Ellen Meloy in her book The Anthropology of Turquoise.  These words reminded me so much of a painting I created in 2009 inspired not of the desert sky of which she was speaking in her eloquent essay but by the sky and water intersection off the coast of Washington state.  Ellen’s writing is new for me, but just in the first essay of the book I feel an affinity to her perceptions and the language she uses to describe the spirit of the landscape.

…On the desert horizon at dusk, where red rock meet lapis sky, at the seam of the union, runs a band of turquoise, recumbent upon the land’s great darkness.  This color is transient.  Before night falls, blue-green is the last quantum of visible light to pass through the atmosphere without scattering.  It can draw a person right down to the skin of the world.  The tidal pull of light can shape an entire life. Every heart-warmed pulse of blood and breath.

This painting originally inspired by these words from Rilke, which also speak of transience.

It seems our own impermanence is concealed from us. The trees stand firm, the houses we live in are still there. We alone flow past it all, an exchange of air. Everything conspires to silence us, partly with shame, partly with unspeakable hope.

From the Second Duino Elegy


Silenced with unspeakable hope, 2009, private collection


 
 
 

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studio/gallery

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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