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Another layer of Mist

Writer: sharonkingston
sharonkingston
Jan 6, 2013
3 min read

Memory’s Gesture, 36 x 36 in, oil on canvas, 2012 Sharon Kingston

Yesterday, a friend came into my studio bearing a tearout of this “inspired” writing by John D’Onofrio–a most talented photographer.  It fit so well with what I was working on at the time–the addition of another layer of mist to one of my atmospheric landscapes. I have always considered the mist on the hills as comforting and conducive to a productive artistic life.  Blue skies and fair weather offer too many distractions to outdoor activities and cast too many shadows on my studio walls.  Long grey winters are the perfect atmosphere for my work and works.  I’m thankful for our “morning mist and widespread weeping” and the mood of my days.

My favorite part of his writing: The rain gives us time to think and room to breathe. It slows us down—a good thing.

Meditations on Liquidity

 The rain, the dark and other things

Story and photo by John D’Onofrio · Wednesday, January 2, 2013 


“Rush out in the rain to be soaked with the sky…” —Rumi In these parts, at this time of the year, the weather forecast is poetry: Rain today, turning to showers. Morning drizzle followed by afternoon sprinkles, giving way to late-night squalls. Morning mist and general, widespread weeping. Welcome to winter in the Pacific Northwest. We are bathed in a thousand varieties of precipitation; softly brushed by rain as light as prayer, veiled by sheets of liquid wind, and pounded by the drum-roll staccato of storms that swoop down like galloping horses. It whispers and it roars. To live here and be happy, to endure the long, slow-motion winters, it is mandatory to embrace your inner drizzle. Without the rain we’d have the population of Los Angeles. If the sun shone, we’d be crowded, hemmed in on all sides by refugees from the south and their situation comedies. Think of the smell. Instead we enjoy the cleansing, rain-freshened incense of wind in the cedars, a balm for these dark days that surround the solstice. The rain keeps the landscape green, energizes our splendid rivers, and rejuvenates the Salish Sea. The puddles reflect the tempestuous sky in pleasing abstractions. The clouds, roiling overhead like time-lapse photography, remind us of the ephemeral nature of our tenure on this rolling planet. We enjoy excitement, sure, but the rain keeps it subdued, the way we like it. Visitors from other parts of the country bring their umbrellas. They do not understand. The rain cannot be thwarted or opposed. One simply must go with the flow. The rain gives us time to think and room to breathe. It slows us down—a good thing. Plans are plans but the weather always holds the trump card. As it should be. Winter is a good time for introspection, for gathering around the hearth. Time to tell stories. Rain—in its own peculiar way—builds community. There is warmth and light in sharing the long evenings of midwinter with kindred spirits. Our unique human light shines brighter against the darkness. When you get right down to it, precipitation is more a state of mind than anything else. Factually speaking, Bellingham averages a little less than 35 inches a year. Seattle gets 37. New York gets 47. Forks gets 107. There, now don’t you feel better? So let us celebrate the liquid delights of winter and revel in the wet. Don our Gore-Tex and jaunty rain hats and expensive waterproof shoes. Let us dance in the drizzle and sing in the showers. And then, when the clouds scatter and the pale northern sun shines on the puddles and gleams on the water-addled trees, let us offer incantations and praise.

 
 
 

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studio/gallery

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

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In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

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I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

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I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment
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please send me a text with the
day and time you'd like to come by.
360-739-2474

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