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Atmospheric Landscape Paintings inspired by Jake Berthot

  • Writer: sharonkingston
    sharonkingston
  • Sep 12, 2011
  • 2 min read

After Jake, depth speaks to depth, oil on canvas, 18x 18 in

Jake Berthot, a NY artist influenced by the natural world and Emerson, has said that without the source, one cannot have form.  “. . . if a painter has source and belief in that source, then form will come. I want to be clear here in that form in itself will never give source.” What is your source? “The closest I can come is . . . the promise and longing that I feel in nature. I don’t know what that longing and promise is, but I know when it is and is not in the painting.” —Berthot, in conversation

And from VQR about Jake’s work (this is a repost for the followers of this blog, but so well stated I’m using it again),  Instead of the viewer’s gaze skimming off the surface like a skipped stone as in so much contemporary painting, Jake Berthot’s paintings hold you—stop you and engage you, stir you and disturb you. When you stand in front of one of Berthot’s recent paintings, you immediately become aware of depths in the painting and you are drawn out into them, feel some part of yourself emptying into them. But then the mysterious mutuality of reverie takes hold: into your newly created emptiness, something flows from the painting. And gradually, steadily, the experience of gazing at the canvas becomes a reciprocal emptying-out and filling, an ebb and flow. Depth speaks to depth. And when at last, after successive, calm, reciprocal emptyings and fillings, you break the spell of the encounter, you emerge changed in some quiet but definite way.

I do so aspire to have my works viewed in this way–the viewer emerging from the encounter changed in some quiet way.  A transformation born of contemplation and reflection.   I have been reading and following Jake’s work for the last year or so.  He has, in his own quiet way, influenced how I approach my painting process and how I think about the viewer’s experience.

ebb and flow, 18×18 in, oil on canvas

in a quiet way, 18 x 18 in, oil on canvas

 
 
 

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
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