• sharonkingston

Finger Painting A World


In honor of Earth Day, I finger painted a sky. A heathly fluffy white clouded breathable sky. On such a fabulous spring day I could not bring myself to continue working on a painting that had gotten too dark (you can see it around the edges). So without much ado and not really knowing where it was going to take me, I flipped the canvas 180 degrees, found a fabulous blue oil stick and went to work. The white clouds were added with my fingers–loosely and quickly. Not a single paint brush was used in their fabrication. If only we could have the same light touch on our environment.

Here’s the poem that’s been attached to this painting. It’s a good one for today. Whoever you may be, step into the evening Step out of the room where everything is known Whoever you are your house is the last before the far off With your eyes, which are almost too tired to free themselves from the familiar You slowly take one black tree and set it against the sky slender, alone. And you have made a world. It is big and like a word, still ripening in silence And though your mind would fabricate its meaning Your eyes tenderly let go of what they see. Rainer Maria Rilke

#cloudscape

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    SHARON KINGSTON

     

     

    studio/gallery

    open by appointment

    please call / text

    360-739-2474 or

    email sharonkingston@me.com

    ALL SALES FINAL.

    NO REFUNDS or EXCHANGES ON ORIGINAL PAINTINGS or FINE ART PRINTS and FRAMES.

    If item is damaged in transit, it will be replaced with a painting of similar style and value.

      SHARON KINGSTON STUDIO

      203 PROSPECT ST

      Bellingham WA  98225

      please send me note before you stop by

      Sharon Kingston is a Northwest WA oil painter who uses the properties of her medium to create paintings that respond to both the atmosphere of her surroundings and poetry. This method of looking inward and outward and, in the moments of painting, finding her way on the canvas is her approach to creating paintings infused with poetry and the memory of landscape. The atmospheric element of her work is a testament to her desire to create spaces that are undefined, contemplative and allow room to reflect and accept uncertainty. Poetry, by nature open ended, is used both in the conceptualization of the work and as a part of the studio practice. The words of Rainer Rilke have informed Sharon’s work for many years, but she also turns to contemporary poetry when it resonates with her life. She uses layers of transparent color, reveals forms by concealing and unearthing pentimenti and suggests elements of landscape in her process.