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Memory and Creative Work

Writer: sharonkingston
sharonkingston
Sep 14, 2014
2 min read

meanderings of a longing, 24 x 30 inches, oil on canvas

presence of absence, 30 x 30 inches, oil on canvas

memory is not enough, 24 x 24 inches, oil on paper

memory is not enough II,  24 x 24 inches oil on paper

memory of moonlight II, 12 x 16 inches, oil on canvas

memory of moonlight I, 12 x 12 inches, oil on canvas

“Psychologists believe that our capacity for creative work hinges on our memory and the ability to draw on our mental catalog of remembered experiences and ideas. More than that, memory is our lifeline to our own selves. Indeed, can there be anything more central to identity than memory?”

These paintings were driven by words from Rilke referencing memory (the September 13 entry in a Year with Rilke translations by Joanna Macy and Anita Barrows).  These words were written in letter form to Lou Andreas-Salome from Rilke in 1911 as what I interpret to be a lament on a lost love, a lost presence.  The sentiment felt right for my situation and the changing of the season.  Folded into and inspiring my work this week were also the full moon, the anniversary of Sept 11, the warmth of an Indian Summer, late works by Joan Mitchell. Over the course of the week I started thinking about memory as a presence of absence–maybe of my former self. Aging has that affect on a person.  This morning I read in Brain Pickings the statement of memory as a lifeline to our own selves and it became apparent that memory could in fact act as a means to infuse my work with a lyrical blend of looking inward and outward to help me find my way in the now.

The work I made is different.  No horizon line.  No somber contemplation.  More warmth.  More evanescence.  More movement.  More mark making. Yet still, the aura of atmosphere.

Here are the words from Rilke:

Memory is not enough… I do not recollect. What I am is alive in me because of you. I do not reinvent you at sadly cooled-off places you have left behind. Even your absence is filled with your warmth and is more real than your not-existing. Longing often meanders into vagueness. Why should I throw myself away when something in you may be touching me, very lightly, like moonlight on a window seat.

 
 
 

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studio/gallery

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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