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New Palette

  • Writer: sharonkingston
    sharonkingston
  • Jan 19, 2011
  • 0 min read

Back in October I wrote a post about visiting Room 7 at the Tate Modern in March 2008 and sitting on the bench pivoting from right to left from Joan Mitchell’s Number 12, to Claude Monet’s late water lily to Mark Rothko’s Untitled 1951 citrus beauty. These three artists’ works are the ones I turn to often when seeking inspiration, a solution to a visual problem or just wanting to immerse myself in a beautiful painting. I was thinking of them back in October with a desire to adjust my palette. This has been a long process and the painting that I’m working on now, Living the Questions II, is the closest I’ve come to really lightening the colors I use and keeping the painting charged with mood and mystery and atmosphere. (sorry, iphone image.) The dark section is still a question for me and I’m going to let it sit a bit before putting it back on the easel. But since making this post and looking again at these fabulous works of Joan, Mark and Claude, I’m thinking violet…



 
 
 

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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