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RePent, ReDo, ReCycle, ReArt

  • Writer: sharonkingston
    sharonkingston
  • Mar 19, 2011
  • 2 min read

In the spirit of Earth Day, the month of April will find many galleries showcasing Re-art.  In my own tribute to the idea of reuse–I painted on top of another painting.  Not just some failed effort sitting in a closet that needed to be torn off the stretchers and destined for a landfill, but a painting that had previously been shown in an exhibit and which I had considered “finished”.  It sometimes happens that if a painting hangs around the studio long enough I’ll find some fault with it and in a moment of utter frustration with whatever is on my easel at the time, I’ll rework that which is close at hand and dry.  I do try to exhibit some impulse control when it comes to finished works, however.  In one of those moments last week, the painting “like mist from unhurried clouds” felt flat to me (shows more depth in digital) and lacked a local reference.  I wanted to bring it more energy, more life, more of Bellingham.  Redo.

Unfortunately the curators of the Reart Shows don’t find a painting on a painting a proper expression of reuse as I do.  Even more interesting to me than the idea of reuse is the secret image under it all and actually having a digital capture of this previous incarnation.  This process of overpainting is nothing new and has been used by artists for centuries either from the desire to rework an unacceptable composition (like me) or out of desperation for any surface to paint on (like me also). We know about this usually through x-rays and other scans of masterpieces.  There is even a term for this resultant evidence of the reworking or the peekaboo of the initial painting on the  surface of the new painting–pentimento (plural pentimenti–derived from the Italian word pentirsi meaning to repent).  

Here’s to upcoming Earth Day (I know it’s early, but I’m just aching for Spring) and my own re-art derived through repentance with a bit of pentimento.  An enveloping sky on top of mist from unhurried clouds.

Enveloped Mist (on top of the painting shown below) 30 x 30 in oil on canvas 

Like Mist from Unhurried Clouds–the painting underneath (no longer viewable except by scan or in digital format)

 
 
 

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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