• sharonkingston

Tempests of storm-filled delighted feeling

Every Angel is terror. And yet, ah, knowing you, I invoke you, almost deadly birds of the soul. Where are the days of Tobias, when one of the most radiant of you stood at the simple threshold, disguised somewhat for the journey and already no longer awesome (Like a youth, to the youth looking out curiously). Let the Archangel now, the dangerous one, from behind the stars, take a single step down and toward us: our own heart, beating on high would beat us down. What are you? Early successes, Creation’s favourite ones, mountain-chains, ridges reddened by dawns of all origin – pollen of flowering godhead, junctions of light, corridors, stairs, thrones, spaces of being, shields of bliss, tempests of storm-filled, delighted feeling and, suddenly, solitary mirrors: gathering their own out-streamed beauty back into their faces again. For we, when we feel, evaporate: oh, we breathe ourselves out and away: from ember to ember, yielding us fainter fragrance. Then someone may say to us: ‘Yes, you are in my blood, the room, the Spring-time is filling with you’….. What use is that: they cannot hold us, we vanish inside and around them. And those who are beautiful, oh, who holds them back? Appearance, endlessly, stands up, in their face, and goes by. Like dew from the morning grass, what is ours rises from us, like the heat from a dish that is warmed. O smile: where? O upward gaze: new, warm, vanishing wave of the heart – : oh, we are that. Does the cosmic space, we dissolve into, taste of us then? Do the Angels really only take back what is theirs, what has streamed out of them, or is there sometimes, as if by an oversight, something of our being, as well? Are we as mingled with their features, as there is vagueness in the faces of pregnant women? They do not see it in the swirling return to themselves. (How should they see it?) Lovers, if they knew how, might utter strange things in night air. Since it seems everything hides us. Look, trees exist; houses, we live in, still stand. Only we pass everything by, like an exchange of air. And all is at one, in keeping us secret, half out of shame perhaps, half out of inexpressible hope. Lovers, each satisfied in the other, I ask you about us. You grasp yourselves. Have you a sign? Look, it happens to me, that at times my hands become aware of each other, or that my worn face hides itself in them. That gives me a slight sensation. But who would dare to exist only for that? You, though, who grow in the other’s delight until, overwhelmed, they beg: ‘No more’ -: you, who under your hands grow richer like vintage years of the vine: who sometimes vanish, because the other has so gained the ascendancy: I ask you of us. I know you touch so blissfully because the caress withholds, because the place you cover so tenderly does not disappear: because beneath it you feel pure duration. So that you promise eternity almost, from the embrace. And yet, when you’ve endured the first terrible glances, and the yearning at windows, and the first walk together, just once, through the garden: Lovers, are you the same? When you raise yourselves one to another’s mouth, and hang there – sip against sip: O, how strangely the drinker then escapes from their action. Weren’t you amazed by the caution of human gesture on Attic steles? Weren’t love and departure laid so lightly on shoulders, they seemed to be made of other matter than ours? Think of the hands how they rest without weight, though there is power in the torso. Those self-controlled ones know, through that: so much is ours, this is us, to touch our own selves so: the gods may bear down more heavily on us. But that is the gods’ affair. If only we too could discover a pure, contained human place, a strip of fruitful land of our own, between river and stone! For our own heart exceeds us, even as theirs did. And we can no longer gaze after it into images, that soothe it, or into godlike bodies, where it restrains itself more completely.


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    SHARON KINGSTON

     

     

    studio/gallery

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    360-739-2474 or

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      SHARON KINGSTON STUDIO

      203 PROSPECT ST

      Bellingham WA  98225

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      Sharon Kingston is a Northwest WA oil painter who uses the properties of her medium to create paintings that respond to both the atmosphere of her surroundings and poetry. This method of looking inward and outward and, in the moments of painting, finding her way on the canvas is her approach to creating paintings infused with poetry and the memory of landscape. The atmospheric element of her work is a testament to her desire to create spaces that are undefined, contemplative and allow room to reflect and accept uncertainty. Poetry, by nature open ended, is used both in the conceptualization of the work and as a part of the studio practice. The words of Rainer Rilke have informed Sharon’s work for many years, but she also turns to contemporary poetry when it resonates with her life. She uses layers of transparent color, reveals forms by concealing and unearthing pentimenti and suggests elements of landscape in her process.