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The Beginning

  • Writer: sharonkingston
    sharonkingston
  • Apr 10, 2010
  • 1 min read

Rilke has been infusing my artmaking since art school, which for me was not so long ago, 2005. I began looking to his poems for inspiration at the suggestion of an instructor, particularly the Book of Images. However, as you can see by the drawings I found in a journal from that time, I was attempting a literal representation of his words. A few years later he surfaced again. I made one painting, a looser literal representation of the poem Fragments From Lost Days. The painting sold. This past December I found his poetry again, however it was the Sonnets to Orpheus that struck me. For some time I have been painting abstracted landscapes with a clear dividing line between upper and lower fields of color: sky/land, sky/sea, land/sea. The dividing line between elemental worlds–everything Orpheus is about. The poetry had a way into my work this time around, but more as the essence of the painting. I now consider Rilke my muse. There is a connection between what I’m reconciling in my inner and outer worlds that the poetry is guiding me through. I think what’s happening is that I’m infusing my abstracted landscapes with this personal spiritual stuggle/transformation through the words of Rilke. I don’t want to make too much sense of it. It is in the mystery that the beauty resides.

 
 
 

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studio/gallery

open by appointment only

please call / text

360-739-2474 or

email sharonkingston@me.com

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NO REFUNDS or EXCHANGES ON ORIGINAL PAINTINGS  and FRAMES.

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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