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Trying on Something New

  • Writer: sharonkingston
    sharonkingston
  • Dec 17, 2011
  • 1 min read

I rarely experiment with surfaces.  I’ve found a canvas I love and stretch most of my pieces myself using purchased stretcher bars (I’m not that much of a purist that I create those by hand too!).  This prep process is fine for larger pieces.  Over the past year I’ve experimented with gessobord as a surface for smaller works liking the 3/4″ profile in depth and expecting that I’d like the smoothness.  The fact that you can purchase it cradled affording me a back frame to hold onto when I paint and making the work ready to hang were also pluses.  However, I find myself struggling with the board–something to do with absorption and drying–and only 1/4 of these paintings actually make it to completion.  Not a good ratio considering the fact that they’re $15 a pop.  So, onto another surface experiment I go for my smaller works.

The above painting (not complete but shown here for example only) was created on a 14 x 18″ clear gesso linen panel.  The raw linen peaks through in places and because it’s fabric and not board, the absorption I need with my process is happening again.  I like the idea of presenting the work as a framed piece with a matte sans glass or acrylic.  And, since I’ve loved maple frames forever, finding a way to finish my work with a maple frame is important to me.  Although the finished pieces measures in at 21 3/4 x 17 3/4–maybe not small for some folks–I think this might be my new format for smaller works–for the time being.


 
 
 

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studio/gallery

open by appointment only

please call / text

360-739-2474 or

email sharonkingston@me.com

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NO REFUNDS or EXCHANGES ON ORIGINAL PAINTINGS  and FRAMES.

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Source and technique have melded in my paintings in such a way that poetry, nature, color, light, mood and atmosphere are at one with my method of layering oil on canvas.  Void of visible brush stokes and seemingly lit from within, I have spent my career mastering my method and using the outer world as a shoreline to our inner longings.  My paintings, often paired with poetry that I am contemporaneously reading, offer an opening to the contemplation that accompanies those moments in nature where melancholic beauty quiets us.  Mimicry of an objective nature is less the goal than evoking the mood and atmospheres of our existence.  

In my recent paintings the sea and sky have taken on a larger and more energetic role, giving me the space to explore a loose yet structured mark making—just as the sea and sky themselves are both chaos and order.  I find inspiration in scrims; the veil of fog, the glare of sunlight on water, the quieting as night approaches and everything is reduced to shadow and light, the revealing of a well of color at dawn and the heaviness and energy of a storm.

I live in Bellingham and have a storefront studio in the downtown area.  I have been exhibiting my work professionally for the past 20 years.  My paintings are held in collections throughout the US, Canada, Europe and Australia.

I have exhibited my work extensively in galleries and curated shows since 2008. I currently show my work at my storefront studio only--by choice-- and have no gallery affiliation at this time.  

Make an appointment to view paintings by sending an email here.

SHARON KINGSTON STUDIO

203 PROSPECT ST

Bellingham WA  98225

studio gallery 
open by appointment

please send me a text with the
day and time you'd like to come by.
360-739-2474

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