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fog suite 2: muslin

"consider the space between thoughts: instants when the mind is inventing exactly what it thinks and the mouth waits to be filled with language."


One of the primary intentions with the fog suites was the examination from a technical and visual perspective the idea of visible uncertainty. This is something I've talked about with my work for many many years. Leaving spaces undefined; leaving landscape elements unarticulated so that the viewer can fill and be filled by the evocation of emotions and thoughts. Art is an exchange and what the viewer brings to the piece is just as important as the work itself. If everything is defined--if all is articulated--what is left for the viewer to bring to play? I've always found that work is deadened by over-specificity. What I've tried to do with color and form and light and atmosphere is to prompt the interaction and to have the painting "finished" by the viewer's response or interaction with it.


Just like with Rothko's work, there is sometimes a diminishment of value in the work because of its perceived simplicity or minimalism. The "I could've painted that" syndrome. But could you have really? painted that. It is more difficult to paint indirectly--to have the image come out of the paint, to have the light glow out from layers of trapped pigment, to illicit mood from nothing more than paint layered on top of each other, to create nuance, to exhibit both control and accident in the same space.


Many of my more simplistic paintings suffer this same fate--as if they should be priced less for having less objective reference--when in fact they have so much more. Muslin is just such a painting.



“Consider the Space Between Stars”

Consider the white space between words on a page, not just the margins around them. Or the space between thoughts: instants when the mind is inventing exactly what it thinks and the mouth waits to be filled with language. Consider the space between lovers after a quarrel, the white sheet a cold metaphor between them. Now picture the brief space before death enters, hat in hand: vanishing years, filled with light. –Linda Pastan



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    SHARON KINGSTON

     

     

    studio/gallery

    open by appointment

    please call / text

    360-739-2474 or

    email sharonkingston@me.com

    ALL SALES FINAL.

    NO REFUNDS or EXCHANGES ON ORIGINAL PAINTINGS or FINE ART PRINTS and FRAMES.

    If item is damaged in transit, it will be replaced with a painting of similar style and value.

      SHARON KINGSTON STUDIO

      203 PROSPECT ST

      Bellingham WA  98225

      my studio is open by masked appointment

      please send me a text with the
      day and time you'd like to come by.
      360-7392474

      Sharon Kingston is a Northwest WA oil painter who uses the properties of her medium to create paintings that respond to both the atmosphere of her surroundings and poetry. This method of looking inward and outward and, in the moments of painting, finding her way on the canvas is her approach to creating paintings infused with poetry and the memory of landscape. The atmospheric element of her work is a testament to her desire to create spaces that are undefined, contemplative and allow room to reflect and accept uncertainty. Poetry, by nature open ended, is used both in the conceptualization of the work and as a part of the studio practice. The words of Rainer Rilke have informed Sharon’s work for many years, but she also turns to contemporary poetry when it resonates with her life. She uses layers of transparent color, reveals forms by concealing and unearthing pentimenti and suggests elements of landscape in her process.